Niebla Spanish Edition eBook Miguel de Unamuno
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Miguel de Unamuno nos legó en "Niebla" un monumento de la novela filosófica y una obra maestra de ficción experimental moderna.
Prescindiendo de las convenciones de la acción, tiempo y lugar, y el análisis del carácter, "Niebla" procede enteramente de la fuerza del diálogo que revela la lucha de lo que Unamuno llamó sus "agonistas". Éstos incluyen a Augusto Pérez, el hijo mimado de una madre recién fallecida, la engañosa y maquinadora Eugenia, a quien Augusto obsesivamente idealiza, y Orfeo, el perro de Augusto.
Niebla Spanish Edition eBook Miguel de Unamuno
Niebla (Mist) by Miguel de UnamunuIn this 1914 novel, Unamunu establishes himself as one of the greatest writers of the Spanish generation of 1898.
Augusto Pérez is a man that is well off but ever since her mother died two years ago, he can’t forget the last words she said: “Augusto, get married.”
One day, as he walks the streets, he meets Eugenia Domingo de Arco, a piano teacher, and falls madly in love. As he starts to court Eugenia, Augusto discovers that she has a boyfriend, Mauricio.
But falling in love with Eugenia opens in Augusto an unknown reaction: the feeling of love: so now he loves all women. Augusto falls in love with his servant Rosario, and also with Liduvina his cook—who is married to the butler, Domingo.
Meanwhile, Augusto's best friend, Víctor, starts writing a “Nívola” or a novel that breaks all the rules of fiction. Víctor is shocked by the news that his wife, Elena, is pregnant after 12 years of marriage. So he deals with it by writing. Víctor tells Augusto to marry many women: Eugenia for her imagination—to stimulates his brain; Rosario to stimulates his heart, and Liduvina (his cook), to stimulates his stomach. Because according to Unamunu: “The head, the heart, and the stomach are the three faculties that people call intelligence, feelings, and will.”
Eugenia is an orphan and lives with her aunt, Ermelinda, and uncle, Fermín. One day as Augusto walks by Eugenia’s address: 58 Avenue of the Alameda, Emelinda’s birdcage falls and Augusto catches it, thus saving Pichín, Emelinda’s canary. Ever since, the aunt and uncle try to break up Eugenia and Mauricio so that Augusto marries their niece.
Pressured, Eugenia gives an ultimatum to Mauricio: either find work and marry her, or get lost. Mauricio does not wish to work, so Eugenia is now free to court Augusto. Meanwhile, Augusto has made a pass at Rosario, so now he finds himself in a love triangle with both women—with a decision to make.
Augusto chooses Eugenia--thus wedding date is set. But Eugenia fools Augusto by making him find a job for Mauricio and escaping with him a few days before the wedding.
Feeling rejected, Augusto considers suicide, but then decides he needs to go to Salamanca to discuss his suicide with the author of the book.
Unamunu, thus, becomes a character of his own “Nívola” and proceeds to tell Augusto that he can’t commit suicide: “because you don’t exist...you are, poor Augusto, only a product of my fiction and the readers that share this lecture; and all your feelings and adventures were written by me—you’re nothing but a character in a novel—or ‘Nívola.’”
But Augusto fights back and questions Unamunu’s existence: “perhaps you are the fictional being, the one that does not exist, neither alive or dead...You are but the vehicle so that my story is known to the world...”
This makes Unamunu angry and he decides that rather than let Augusto commit suicide, Unamunu will kill him himself. Realizing that Unamunu has the power to kill him, Augusto changes his mind and now wishes to live. Augusto threatens Unamunu: “God will one day stop dreaming you! You will also die, even if you don’t want to, and all those who read this story will die, each and everyone of them.”
Augusto returns home, and just before he dies, he sends a telegram to Salamanca to Unamunu: “you win. I’m dead. Augusto Pérez.” So Augusto dies, and his dog, Orfeo, dies with him.
Unamunu, in his novel Niebla. Creates a world of dreams that becomes a tragicomic part of reality. It is considered Unamunu’s best, a a classic of the Spanish Literature.
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Niebla Spanish Edition eBook Miguel de Unamuno Reviews
It's an interesting book. Gets a little slow in the middle but worth sticking around for the end.
Una lectura muy corta y sencilla donde el autor nos muestra su reflexión hacia lo real y lo ficticio en una historia de amor. La reflexión de Orfeo hacia su amo en el final te conmueve mucho.
The main character has his share of internal dialogue, and seems like an odd young man but after all aren't we all. He sets out to search for love....and because life is not perfect, neither is the story in this book. It will give you an unexpected ending, will make you think about what could have been. It will remind you of the unconditional love of pets and the role they play in our life, the loyalty of employees, and how despite our good deeds not everything turns out as we hope, feel the pain of betrayal! The twist I didn't expect was that the author wrote him self into the story at the end....i will stop before I. Ruin the ending.
La primera palabra que me viene a la mente es "Exquisito", lo cual implica por lo menos un contenido de gran calidad y buen gusto. Maneja con gran destreza las distintas personalidades de los personajes, sus miedos e inseguridades, pasando por varios momentos cómicos y la interacción que el propio autor tiene con su personaje es insuperable.
I was very disappointed to receive this book. It seems to be a set of old photocopies bound with a new cover. The type is extremely small and difficult to read and it simply appears to have been reduced to fit a small page size from a much larger original. Not recommended.
I have read this novel so many times and I can say that I am madly in love with it. This version though, has a few grammatical errors something that would have been taking cared of at the editorial. Other than that, I just enjoy reading this over and over. Definitely one, if not, my very own favorite novel in Spanish literature. I recommend it.
This edition is, I think, a print-to-order of text that can actually be downloaded by oneself. Its very reasonable price doesn't compensate for the lack of notes, introduction, etc. that accompany other editions. That being said, Niebla, published exactly 100 years ago, developed many of the concepts and specific ideas of Existentialism long before it was named as such. As you proceed, the "intertextualidad" (self-referential method) becomes more and more fascinating. Excluyo el Prólogo y Post-Prólogo la "nivola" es más or menos facil a leer, pero el lector tiene que atender detenidamente.
Niebla (Mist) by Miguel de Unamunu
In this 1914 novel, Unamunu establishes himself as one of the greatest writers of the Spanish generation of 1898.
Augusto Pérez is a man that is well off but ever since her mother died two years ago, he can’t forget the last words she said “Augusto, get married.”
One day, as he walks the streets, he meets Eugenia Domingo de Arco, a piano teacher, and falls madly in love. As he starts to court Eugenia, Augusto discovers that she has a boyfriend, Mauricio.
But falling in love with Eugenia opens in Augusto an unknown reaction the feeling of love so now he loves all women. Augusto falls in love with his servant Rosario, and also with Liduvina his cook—who is married to the butler, Domingo.
Meanwhile, Augusto's best friend, Víctor, starts writing a “Nívola” or a novel that breaks all the rules of fiction. Víctor is shocked by the news that his wife, Elena, is pregnant after 12 years of marriage. So he deals with it by writing. Víctor tells Augusto to marry many women Eugenia for her imagination—to stimulates his brain; Rosario to stimulates his heart, and Liduvina (his cook), to stimulates his stomach. Because according to Unamunu “The head, the heart, and the stomach are the three faculties that people call intelligence, feelings, and will.”
Eugenia is an orphan and lives with her aunt, Ermelinda, and uncle, Fermín. One day as Augusto walks by Eugenia’s address 58 Avenue of the Alameda, Emelinda’s birdcage falls and Augusto catches it, thus saving Pichín, Emelinda’s canary. Ever since, the aunt and uncle try to break up Eugenia and Mauricio so that Augusto marries their niece.
Pressured, Eugenia gives an ultimatum to Mauricio either find work and marry her, or get lost. Mauricio does not wish to work, so Eugenia is now free to court Augusto. Meanwhile, Augusto has made a pass at Rosario, so now he finds himself in a love triangle with both women—with a decision to make.
Augusto chooses Eugenia--thus wedding date is set. But Eugenia fools Augusto by making him find a job for Mauricio and escaping with him a few days before the wedding.
Feeling rejected, Augusto considers suicide, but then decides he needs to go to Salamanca to discuss his suicide with the author of the book.
Unamunu, thus, becomes a character of his own “Nívola” and proceeds to tell Augusto that he can’t commit suicide “because you don’t exist...you are, poor Augusto, only a product of my fiction and the readers that share this lecture; and all your feelings and adventures were written by me—you’re nothing but a character in a novel—or ‘Nívola.’”
But Augusto fights back and questions Unamunu’s existence “perhaps you are the fictional being, the one that does not exist, neither alive or dead...You are but the vehicle so that my story is known to the world...”
This makes Unamunu angry and he decides that rather than let Augusto commit suicide, Unamunu will kill him himself. Realizing that Unamunu has the power to kill him, Augusto changes his mind and now wishes to live. Augusto threatens Unamunu “God will one day stop dreaming you! You will also die, even if you don’t want to, and all those who read this story will die, each and everyone of them.”
Augusto returns home, and just before he dies, he sends a telegram to Salamanca to Unamunu “you win. I’m dead. Augusto Pérez.” So Augusto dies, and his dog, Orfeo, dies with him.
Unamunu, in his novel Niebla. Creates a world of dreams that becomes a tragicomic part of reality. It is considered Unamunu’s best, a a classic of the Spanish Literature.
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